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The Biggest Room in the City
She hated the Sunday dress her mother had picked out for her at the Northwood Mervyn’s, which had…
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The Formal Problem of Rape: On Jamie Hood’s Trauma Plot
For the last third of her memoir, Trauma Plot, Jamie Hood is in therapy. This fifth and final…
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And the cow jumped over the moon
My boss Tom Skinner was a ballbuster if there ever was one, but he’d agreed to let me…
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Bandit
Alynne ate her chicken dinner sitting on a broken plastic crate outside her tent. The city had opened the sanctioned camp two weeks ago. Alynne was one…
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Speaking of Ice Cream
Jack Preston sat patiently at the intersection of St. John Avenue and Hardesty, behind an old Chevy pickup…
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The Inheritance
As we drove up to Minna and Granddaddy’s house in Bedford, New York, our car crunching on deep…
Editor’s Picks
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The rise of comedy
From the Series: Archeologies of the environment2017Oil on canvas80 x 120 cm Archeologies of the environment, is a series of oil paintings by Fernanda Morales Tovar, which arises since 2014…
Current Issue
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San Antonio Review
Volume 7.2
Winter 2024
Winter 2024
Volume 7.2 · Winter 2024
A season of difficult light
Fiction, nonfiction, poetry, and art that lingers after reading.
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Open for Submissions
We publish work that
stays with you.
stays with you.
San Antonio Review accepts fiction, nonfiction, poetry, and art on a rolling basis. We read everything we receive and respond to every submission.
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