A Q&A with Texas artist Jorge Losoya.
The Patronus Paradox
A time-traveler named Harry Potter awaits the appearance of his dead father on the edge of a vast lake bordered by forest. It’s nighttime, and the castle of Hogwarts looms in all its might and mystery over the water. Harry watches impatiently as, across the lake, cloaked creatures called dementors...
Q & A with Brianna Keeper
On the water with Texas painter and boatwright Brianna Keeper.
Q & A with Eric Flanagan and Sam Voutas
A discussion with the authors of White Faced Lies.
The Real Sickness in America
What vile alchemy has enabled many Americans, with Texans in the vanguard, to conjoin a stated belief in God with a total commitment to a serial liar and a reliance on instruments of death? Even when children are murdered in the nation’s schools, the same kind of assault weapons used...
Q & A with Juan Camillo Garza
Including photographs from the series "Dark, Dark."
Cloudy with a Chance of Atheism
Our sulky gods criedacid rain, when prayers driedwithin earthen pots. Read More in Poetry...
Head Wounds
The photo is shocking: A massive sea turtle lies dead in the back of a pickup truck, its speckled front flippers so big they stretched far beyond the width of the vehicle. A chain is wrapped around its neck, and its bear-sized head, which looks injured, hangs limply over the...
Album Review: “Rancho Shalom”, “Lucky Nights”, “Ghost Approaches”
World, meet Evan Kertman. His debut album, Rancho Shalom (Perpetual Doom), invites the listener out onto the back patio to bask in his sun-dappled California country-folk glow. Chamber pop instrumentation charms and the clean West Coast-style production shimmers. Radio-ready tracks “Only The Birds” and “The Same Song” hint at jangle pop and psychedelia, respectively, but the...
Buscando
about this piece Buscando2020 See More in Art...
