They're older — elderly, really, but still before dying: that space of knowing imminent departure prior to evaporation.
The small house breathes in the couple's scent of soap and attic — early summer cool enough in the Ohio Valley that the window units stay dormant.
These two lead me to think all old matrimonies live out beneficent, minimal lives — the lawn and the rooms expanding with the years until they cover entire kingdoms and natural preserves.
They have nothing anyone wants, yet so much peace and quiet they cannot keep it for themselves — it seems to unfold and tumble from the carpets and floral wallpaper, flooding out the back porch.
Sunlight spills at a young angle through the maple trees, pooling into a pond in the backyard. Later I learn two people moving like barges through the oily water of time rarely live quietly — at some point they stop being adults and become tree bark, dragon scale, chafing the fluxed nerve of time.
So I look back on this portrait where he loses his ring raking leaves in the backyard and she grips the egg casserole in its pyrex with her checkered, padded squares, burning a thumb arched by arthritis and wonder, as her shoot rises through the bacon, toast, and gold-barred motes of dust:
Joshua Bridgwater Hamilton holds an MFA from Texas State University and a PhD from Indiana University. His books are Excavator (Gnashing Teeth Publishing) and the chapbooks Rain Minnows (Gnashing Teeth Publishing) and Slow Wind (Finishing Line Press).