I said another word for love is gamble,
from the top floor in the Gary Cooper room.
Cooper, who Life Magazine said, almost
blighted his career because he refused
to kiss on screen. In the casino bar, a woman
sat playing keno with a pit bull guarding
her back. That kind of town. The pit’s tail
stub bobbed to a song we both forgot
but somehow knew from high school. Beside
us, two women spoke about their kids
and boys they liked, fireworks and ER bills,
until one turned to the other saying, I don’t
know how I even got here. I don’t know
why some nights I need to be in small towns
I’m not from. We sipped our tiny-free beers
while we lost at video poker. When I said
another word for love is gamble, I didn’t mean
it came with second hand smoke and free
drinks—mostly my metaphors fail. When
the women drifted back to those boys,
you said, I could about listen to them talk
all day. Then our money came back to us,
so we went up to our Cooper room. At this age,
we know breaking even is winning. You threw
open the curtains to let in the neon red light
that pulsed through the windows as we fucked.
You made me remember desire’s red heartbeat,
and why sometimes I need to talk to a stranger
all night knowing I’ll never see them again.
I can tell them anything. After we finished,
you shook into seizure, so like you taught me,
I stroked your hair and sang, You and me, only
you and me. Lyrics from a sad Nevada song
that I only remembered because I needed them.
Letter to You from the Hotel Nevada
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