,

Gaza stone

if you try to remember Gaza before, a place you know only from war

the memory plays like a grainy filmstrip, unspooling and melting

into messy amnesia

 

and so you might assume Gaza has forever been a litter of stone

every surface graveled with boulders diminished to

mineral          pebble          ash

 

you might think, from all the gray matter of image and imagining

that this is history, geology – eons upon eons of rubble

the quarry remains of continental drift, Precambrian pitch and stone

 

which might, since you’re digging deep, remind you of tectonic plates,

conjuring thoughts of safekeeping – granite-hewn walls scarred

by siege and season, flinty riprap, David’s slingshot

 

all these come to mind, but depth of defense only goes so far

and even through the blur of avoidance, you know, don’t you?

that Gaza is wound, not weapon, the gritty grinding of lives

bone          breath          dust

 

and you know, or hear, or learn – before gray there was color

olive grove green, indigo blue, mosque white ablaze in morning sun

 

but shells fall from sky, pound earth, destroy pigment and pulse

homes and hope, and you know, don’t you?

 

these ruins aren’t relics of faulty memory – they hold centuries

of grief – the wailing of mothers, the exhale of earth

and the silence of fathers digging for children beneath

Gaza stone

Author

  • Lucinda Trew writes from the pine forests and red clay heart of North Carolina’s Piedmont. Her debut collection What Falls to Ground (Charlotte Lit Press, 2025), traces the fault lines between science and spirit, loss and renewal. Her work, honored with Pushcart and Best of the Net nominations and Boulevard‘s 2023 Award for Emerging Poets, appears in Pinch, Cagibi, North Carolina Literary Review, storySouth, Burningword Literary Journal, Trace Fossils Review, Susurrus, and other journals and anthologies.